Hiding the scissors: On the Central Board of Film Certification

The article critically examines the functioning of the Central Board of Film Certification (CBFC), highlighting its significant cultural influence and alleged political capture. It argues that the CBFC's decisions, often amounting to de facto bans or extensive cuts, stifle artistic freedom and promote self-censorship among filmmakers, particularly concerning politically inconvenient themes. The article points out the CBFC's non-compliance with the Cinematograph Act, 1952, such as not publishing certificates in the government Gazette and making details of cuts inaccessible. It advocates for curtailing the CBFC's role and compelling it to adhere to its founding statute and the law.